A daily dose of Das Wohltemperierte, during many years, has not quite cured me of a mild bachophobia. As much as I enjoy playing Bach, and less frequently, to listen to his music, it still leaves me with a feeling of discomfort. Continue reading →
It is not uncommon to speak of musical “ideas”. It has become very common, in fact, since a number German music writers in the early eighteenth century started speaking of musikalische Gedanken.
A musical idea is more or less what musicians and music analysts call a “theme”. One might think of a theme as a purely musical idea, a sound pattern. But Gedanke is more like thought, and “thought” suggest a thought process — typically, about something — rather than just sound patterns or shapes. Musical “thoughts” are what’s implied in musical “sentences”. Continue reading →
Hanslick’s essay on ‘the musically beautiful’ (Vom Musikalisch-Schönen, 1854) is a remarkable piece of work. Neither coherent nor illuminating, it yet manages to maintain itself in the centre of almost any discussion of music aesthetics. Continue reading →